research: Awards for documentaries in the last year
Navalny's life and future death captured in Oscar-winning documentary
By George WrightBBC News
The film follows Navalny as he and his team unravel a plot to poison him with deadly nerve agent Novichok.
In August 2020, he had collapsed on a flight over Siberia and was rushed to hospital in Omsk - an emergency landing that saved his life. Russian officials eventually allowed him to be airlifted to Berlin for treatment.
The German government revealed that tests carried out by the military found "unequivocal proof of a chemical nerve warfare agent of the Novichok group".
The Kremlin denied any involvement and rejected the Novichok finding. Many were sceptical, including Navalny himself, who embarked on his own investigation with a team of journalists.
In one extraordinary scene in the film, Navalny dupes an FSB agent into admitting over the phone that the chemical weapon had been doused on Navalny's underwear at a hotel in Tomsk.
The agent, Konstantin Kudryavtsev, said that had the plane not made an emergency landing, Navalny would have died. The fate of the agent is not known.
"We were all completely stunned," said Shane Boris, a producer on the film.
"When the team started that interview I don't think anyone expected the calls to yield any sort of result like that."
The film follows Navalny as he recovers from the poisoning and spends time with his family. It documents his return to Russia, where he is arrested on arrival.
He would never walk free again.
Mr Roher says he and Navalny became close during the two months of filming, but the subject matter meant it was not all plain sailing.
"There were moments that were quite tense, where I had to ask him uncomfortable things. Even the first question in the movie … that's a very uncomfortable line of questioning, but I'm there first and foremost to make a movie," he said.
Mr Roher said he and Navalny exchanged letters after he was imprisoned upon returning to Russia.
"I'm very pleased to have them to this day. I put them in my office and I'll cherish those forever," he said.
The prospect of Navalny's mortality is a thread that runs throughout the film.
In one scene, between interviews, one of Navalny's team asks him if he's getting irritated by questions about his past.
Navalny says he is not, but adds: "It's just that I realise that he's filming it all for the movie he's going to release if I get whacked."
In reality, the film was released before his death and won widespread international acclaim. The Guardian said it was "one of the most jaw-dropping things you'll ever witness", while the Times called it "undoubtedly one of the most thrilling documentaries to be released this, or any, year".
Many are now watching the film in a new light.
"Alexei, if you are arrested and thrown in prison, or the unthinkable happens and you are killed, what message do you leave behind for the Russian people?" Mr Roher asks in the final scene.
Navalny briefly responds in English, before the director suggests he revert to his native tongue.
He finishes in Russian: "We don't realise how strong we actually are. The only thing necessary for the triumph of evil is for good people to do nothing.
"So don't be inactive," he says, before giving a knowing look to the camera.
Mr Roher says that making the film has changed his life.
"It had such a profound impact on me as a human being," he said.
"When I think about his life, it will remind me that no matter what situation life throws at you ... if you have levity and you do not lose your humanity - keep laughing, keep writing your wife's Valentines Day messages - everything will be better.
"Everything isn't going to be okay for Alexei as we know, but his life is a masterclass in courage and resilience, and light in dark."
The film follows Navalny as he and his team unravel a plot to poison him with deadly nerve agent Novichok.
In August 2020, he had collapsed on a flight over Siberia and was rushed to hospital in Omsk - an emergency landing that saved his life. Russian officials eventually allowed him to be airlifted to Berlin for treatment.
The German government revealed that tests carried out by the military found "unequivocal proof of a chemical nerve warfare agent of the Novichok group".
The Kremlin denied any involvement and rejected the Novichok finding. Many were sceptical, including Navalny himself, who embarked on his own investigation with a team of journalists.
In one extraordinary scene in the film, Navalny dupes an FSB agent into admitting over the phone that the chemical weapon had been doused on Navalny's underwear at a hotel in Tomsk.
The agent, Konstantin Kudryavtsev, said that had the plane not made an emergency landing, Navalny would have died. The fate of the agent is not known.
"We were all completely stunned," said Shane Boris, a producer on the film.
"When the team started that interview I don't think anyone expected the calls to yield any sort of result like that."
The film follows Navalny as he recovers from the poisoning and spends time with his family. It documents his return to Russia, where he is arrested on arrival.
He would never walk free again.
Mr Roher says he and Navalny became close during the two months of filming, but the subject matter meant it was not all plain sailing.
"There were moments that were quite tense, where I had to ask him uncomfortable things. Even the first question in the movie … that's a very uncomfortable line of questioning, but I'm there first and foremost to make a movie," he said.
Mr Roher said he and Navalny exchanged letters after he was imprisoned upon returning to Russia.
"I'm very pleased to have them to this day. I put them in my office and I'll cherish those forever," he said.
The prospect of Navalny's mortality is a thread that runs throughout the film.
In one scene, between interviews, one of Navalny's team asks him if he's getting irritated by questions about his past.
Navalny says he is not, but adds: "It's just that I realise that he's filming it all for the movie he's going to release if I get whacked."
In reality, the film was released before his death and won widespread international acclaim. The Guardian said it was "one of the most jaw-dropping things you'll ever witness", while the Times called it "undoubtedly one of the most thrilling documentaries to be released this, or any, year".
Many are now watching the film in a new light.
"Alexei, if you are arrested and thrown in prison, or the unthinkable happens and you are killed, what message do you leave behind for the Russian people?" Mr Roher asks in the final scene.
Navalny briefly responds in English, before the director suggests he revert to his native tongue.
He finishes in Russian: "We don't realise how strong we actually are. The only thing necessary for the triumph of evil is for good people to do nothing.
"So don't be inactive," he says, before giving a knowing look to the camera.
Mr Roher says that making the film has changed his life.
"It had such a profound impact on me as a human being," he said.
"When I think about his life, it will remind me that no matter what situation life throws at you ... if you have levity and you do not lose your humanity - keep laughing, keep writing your wife's Valentines Day messages - everything will be better.
"Everything isn't going to be okay for Alexei as we know, but his life is a masterclass in courage and resilience, and light in dark."
OSCAR BEST DOCUMENTARY FEATURE WINNERS
- 2022: Navalny
- 2021: Summer of Soul
- 2020: My Octopus Teacher
- 2019: American Factory
- 2018: Free Solo
- 2017: Icarus
- 2016: O.J.: Made in America
- 2015: Amy
- 2014: Citizenfour
- 2013: 20 Feet from Stardom
- 2012: Searching for Sugar Man
- 2011: Undefeated
- 2010: Inside Job
- 2009: The Cove
- 2008: Man on Wire
- 2007: Taxi to the Dark Side
- 2006: An Inconvenient Truth
- 2005: March of the Penguins
- 2004: Born into Brothels
- 2003: The Fog of War
- 2002: Bowling for Columbine
- 2001: Murder on a Sunday Morning
- 2000: Into the Arms of Strangers: Stories of the Kindertransport
- 1999: One Day in September
- 1998: The Last Days
- 1997: The Long Way Home
- 1996: When We Were Kings
- 1995: Anne Frank Remembered
- 1994: Maya Lin: A Strong Clear Vision
- 1993: I Am a Promise: The Children of Stanton Elementary School
- 1992: The Panama Deception
- 1991: In the Shadow of the Stars
- 1990: American Dream
- 1989: Common Threads: Stories from the Quilt
- 1988: Hôtel Terminus: The Life and Times of Klaus Barbie
- 1987: The Ten-Year Lunch
- 1986: Artie Shaw: Time Is All You've Got and Down and Out in America
- 1985: Broken Rainbow
- 1984: The Times of Harvey Milk
- 1983: He Makes Me Feel Like Dancin'
- 1982: Just Another Missing Kid
- 1981: Genocide
- 1980: From Mao to Mozart: Isaac Stern in China
- 1979: Best Boy
- 1978: Scared Straight!
- 1977: Who Are the DeBolts? And Where Did They Get Nineteen Kids?
- 1976: Harlan County, USA
- 1975: The Man Who Skied Down Everest
- 1974: Hearts and Minds
- 1973: The Great American Cowboy
- 1972: Marjoe
- 1971: The Hellstrom Chronicle
- 1970: Woodstock
- 1979: Arthur Rubinstein – The Love of Life
- 1968: Journey into Self
- 1967: The Anderson Platoon
- 1966: The War Game
- 1965: The Eleanor Roosevelt Story
- 1964: Jacques-Yves Cousteau's World Without Sun
- 1963: Robert Frost: A Lover's Quarrel with the World
- 1962: Black Fox: The Rise and Fall of Adolf Hitler
- 1961: Le Ciel et la Boue (Sky Above and Mud Beneath)
- 1960: The Horse with the Flying Tail
- 1959: Serengeti Shall Not Die
- 1958: White Wilderness
- 1957: Albert Schweitzer
- 1956: The Silent World
- 1955: Helen Keller in Her Story
- 1954: The Vanishing Prairie
- 1953: The Living Desert
- 1952: The Sea Around Us
- 1951: Kon-Tiki
- 1950: The Titan: Story of Michelangelo
- 1949: Daybreak in Udi
- 1948: The Secret Land
- 1947: Design for Death
- 1946: No award given
- 1945: The True Glory
- 1944: The Fighting Lady
- 1943: Desert Victory
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